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truth, are all essential--indeed, they are all definite parts of a forceful presentment of a subject, without being
the only parts. Strong meat may not be as attractive as ices, but all depends on the appetite and the stage of the
meal.
You can not deliver an aggressive message with caressing little strokes. No! Jab it in with hard, swift solar
plexus punches. You cannot strike fire from flint or from an audience with love taps. Say to a crowded theatre
in a lackadaisical manner: "It seems to me that the house is on fire," and your announcement may be greeted
with a laugh. If you flash out the words: "The house's on fire!" they will crush one another in getting to the
exits.
The spirit and the language of force are definite with conviction. No immortal speech in literature contains
such expressions as "it seems to me," "I should judge," "in my opinion," "I suppose," "perhaps it is true." The
speeches that will live have been delivered by men ablaze with the courage of their convictions, who uttered
their words as eternal truth. Of Jesus it was said that "the common people heard Him gladly." Why? "He
taught them as one having AUTHORITY." An audience will never be moved by what "seems" to you to be
truth or what in your "humble opinion" may be so. If you honestly can, assert convictions as your conclusions.
Be sure you are right before you speak your speech, then utter your thoughts as though they were a Gibraltar
of unimpeachable truth. Deliver them with the iron hand and confidence of a Cromwell. Assert them with the
fire of authority. Pronounce them as an ultimatum. If you cannot speak with conviction, be silent.
What force did that young minister have who, fearing to be too dogmatic, thus exhorted his hearers: "My
friends--as I assume that you are--it appears to be my duty to tell you that if you do not repent, so to speak,
forsake your sins, as it were, and turn to righteousness, if I may so express it, you will be lost, in a measure"?
Effective speech must reflect the era. This is not a rose water age, and a tepid, half-hearted speech will not
win. This is the century of trip hammers, of overland expresses that dash under cities and through mountain
tunnels, and you must instill this spirit into your speech if you would move a popular audience. From a front
seat listen to a first-class company present a modern Broadway drama--not a comedy, but a gripping, thrilling
drama. Do not become absorbed in the story; reserve all your attention for the technique and the force of the
acting. There is a kick and a crash as well as an infinitely subtle intensity in the big, climax-speeches that
suggest this lesson: the same well-calculated, restrained, delicately shaded force would simply rivet your ideas
in the minds of your audience. An air-gun will rattle bird-shot against a window pane--it takes a rifle to wing a
bullet through plate glass and the oaken walls beyond.
When to Use Force
An audience is unlike the kingdom of heaven--the violent do not always take it by force. There are times when
beauty and serenity should be the only bells in your chime. Force is only one of the great extremes of
contrast--use neither it nor quiet utterance to the exclusion of other tones: be various, and in variety find even
greater force than you could attain by attempting its constant use. If you are reading an essay on the beauties
of the dawn, talking about the dainty bloom of a honey-suckle, or explaining the mechanism of a gas engine, a
vigorous style of delivery is entirely out of place. But when you are appealing to wills and consciences for
CHAPTER IX 52
immediate action, forceful delivery wins. In such cases, consider the minds of your audience as so many safes
that have been locked and the keys lost. Do not try to figure out the combinations. Pour a little nitro glycerine
into the cracks and light the fuse. As these lines are being written a contractor down the street is clearing away [ Pobierz całość w formacie PDF ]

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